Gubi
Adnet Circular Mirror
Price starting from € 742.00*
*Price valid for the version in Ø 45 cm with frame upholstered in tan leather (cod. 10004037).
The Adnet circular mirror, produced by Gubi and designed by the designer Jacques Adnet in the 1950s, is characterized by details in leather and burnished brass that recall the world of fashion. The strap that surrounds the mirror, designed in black or cognac, extends into a slot that allows for original wall mounting. Available in three sizes, which can also be combined as desired to create a greater reflective surface or an alternative project, this timeless mirror is able to enhance any room in the house, from the corridor to the bathroom, from the living room to the study.
Ø 45 cm
Available also in Ø 58 and in Ø 70 cm
Salvioni Design Solutions delivers all around the world. The assembly service is also available by our teams of specialized workers.
Each product is tailor-made for the personal taste and indications of the customer in a customized finish and that is why the production time may vary according to the chosen product.
To discover the full range of services available, visit our delivery page.
Personalize your request
Frame
Select
Black Leather
Tan Leather
Tan Leather
Sizes
Select
Select
Last born among the giants of high-end Danish design, Gubi stands out for its "heretical" style, very distant from the fruitful Scandinavian tradition. More than sobriety and simplicity, this company prefers a polished refinement, to the inspiration of nature it replaces clear retro-chic references, revisited with great inventiveness in a contemporary point of view. Suspended between past and future, Gubi furniture has a highly iconic appearance, combined with high quality construction. The Gubi catalog is very wide and covers all areas of furniture: from chairs to sofas, from tables to furnishing accessories, passing through a vast and appreciated selection of lighting.Read more
Designed by
Jacques Adnet
Jacques Adnet (1900–1984) was a French designer and architect, counted among the leading figures of Art Deco and French Modernism. Born in Burgundy, he studied and worked together with his twin brother Jean Adnet, with whom he founded the studio JJ Adnet. During the 1920s, the two brothers worked under the guidance of Maurice Dufrène, director of La Maîtrise, the applied arts workshop of the Paris department store Galeries Lafayette, for which they designed furniture, ceramic objects, lighting, and carpets. In 1925, they were among the key participants in the Exposition Internationale des Arts Décoratifs et Industriels Modernes, an event that went down in history as the moment when the term “Art Deco” began to be used to describe the emerging design style of the period. A few years later, at the height of their success, the twin brothers went their separate ways: Jean became artistic director of Galeries Lafayette, while Jacques assumed the role of head of the Compagnie des Arts Français (CAF), one of France’s most important interior design firms. With CAF, he realized prestigious projects such as the apartment of French President Vincent Auriol (1947) and the conference room of UNESCO’s Paris headquarters (1958). Adnet was among the first designers to integrate metal and glass into the structure of furniture, striking a balance between Art Deco stylistic elements and the emerging modernist aesthetic. He is also remembered for his collaboration with the maison Hermès throughout the 1940s, which resulted in a series of luxury furnishings making extensive use of leather as a decorative element. This collection—an outstanding example of the application of haute saddlery principles to furniture design—is now reissued by the Danish brand Gubi. After the closure of CAF in 1959, Adnet was appointed director of the prestigious École nationale supérieure des arts décoratifs in Paris, a position he held until 1971.Read more







