Giorgetti
Erasmo Desk
Price starting from € 39,415.00*
*Price valid for the version with frame in canaletto walnut and top in macassar ebony - without any cable passing on top and without modesty panel (cod. 50101).
Giorgetti's artisan quality lives on in the numerous works that the company was able to create over the years, adopting the trends of the moment without ever losing its personal and unique touch, which has always been followed by fans of the genre. Erasmo represents one of the many works by Giorgetti where you can appreciate the exquisite craftsmanship quality applied to the processing of wood and its derivatives. Intriguing and unique, Erasmo is an executive desk with linear and fluid shapes, capable of creating a unique design thanks to the use of Canaletto walnut, Macassar ebony, pommelè sapele mahogany or leather, rich and elegant according to the desired style.
W.261,5 x D.110 x H.73 cm
Salvioni Design Solutions delivers all around the world. The assembly service is also available by our teams of specialized workers.
Each product is tailor-made for the personal taste and indications of the customer in a customized finish and that is why the production time may vary according to the chosen product.
To discover the full range of services available, visit our delivery page.
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Giorgetti's story is indissolubly tied to the historical and economic evolution of Meda, a thriving town of Brianza’s district in the north of Milan, where in 1898 Luigi Giorgetti founded his workshop for the production of classic-style furniture. Giorgetti started to produce semi-finished carved products for lounges, living area chairs and tables for many prestigious families in Milan characterized by a well-refined and demanding taste. The company’s production was able to compete with the French market for quality manufacturing and wood variety.Read more
Designed by
Massimo Scolari
Massimo Scolari (1969–) is an Italian architect and designer. He has had a distinguished academic career, beginning as an assistant to Aldo Rossi at the Politecnico di Milano and continuing with a professorship at IUAV University of Venice (from 1973 to 2006), alongside numerous appointments as a visiting professor at leading American universities such as Cornell University and the Yale School of Architecture. At Yale, he was the subject of a major solo exhibition in 2012, presenting his models, drawings, and paintings, in continuity with the significant installations he created for several editions of the Venice Biennale (1980, 1984, 1991, 1996, and 2004). In his professional practice, the theoretical and critical dimension has always played a central role, expressed through positions such as the directorship of the architecture series for the publisher FrancoAngeli (1973–1988) and the editorship of the journal Eidos (1989–1995). On the practical side, his work found full expression in his long-standing collaboration with Giorgetti, the refined cabinetmaking company from Brianza, with which he began working in 1989 and for which he also served as art director until 2011. The furniture designs he created—also including a collaboration with the brand Reflex—are imbued with a refined, timeless elegance, revealing the influence of his mentor Aldo Rossi, enriched by an added sense of luxury and magic. In recent years, Massimo Scolari has devoted himself primarily to painting.
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