Reflex
Ark Desk
The designer Massimo Scolari designs for Reflex the spectacular Ark desk for professional studios and offices of a certain size. The structure in Canaletto walnut or glossy ebony supports the wooden top, with edge covered in leather, equipped with an openable steel compartment, designed for sockets and cables, under which there are drawers and a filing cabinet with rotation and steel details. The different versions have, on the opposite side of the drawers, a leg in black or pearl gray Murano glass, a functional revolving chest of drawers or alternatively the predisposition for hooking up to the Ark buffet. The top is also available in transparent or acid-etched glass with high-definition digital printing that reproduces marbles and essences.
W.257 x D.107 x H.78 cm
Salvioni Design Solutions delivers all around the world. The assembly service is also available by our teams of specialized workers.
Each product is tailor-made for the personal taste and indications of the customer in a customized finish and that is why the production time may vary according to the chosen product.
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Starting from a solid experience in the use of crystal applied to furniture, the company Reflex Angelo has developed over the years a complete system of luxury furnishings in which Murano glass is effectively coordinated with other precious materials such as marble, wrought iron and wood. Reflex furniture draws on the great experience of Venetian craftsmanship, enriched by the experience of the great masters of contemporary design who have designed a complete collection that ranges in all the different rooms of the house: tables and chairs, sofas and armchairs, storage units, beds and lamps.Read more
Designed by
Massimo Scolari
Massimo Scolari (1969–) is an Italian architect and designer. He has had a distinguished academic career, beginning as an assistant to Aldo Rossi at the Politecnico di Milano and continuing with a professorship at IUAV University of Venice (from 1973 to 2006), alongside numerous appointments as a visiting professor at leading American universities such as Cornell University and the Yale School of Architecture. At Yale, he was the subject of a major solo exhibition in 2012, presenting his models, drawings, and paintings, in continuity with the significant installations he created for several editions of the Venice Biennale (1980, 1984, 1991, 1996, and 2004). In his professional practice, the theoretical and critical dimension has always played a central role, expressed through positions such as the directorship of the architecture series for the publisher FrancoAngeli (1973–1988) and the editorship of the journal Eidos (1989–1995). On the practical side, his work found full expression in his long-standing collaboration with Giorgetti, the refined cabinetmaking company from Brianza, with which he began working in 1989 and for which he also served as art director until 2011. The furniture designs he created—also including a collaboration with the brand Reflex—are imbued with a refined, timeless elegance, revealing the influence of his mentor Aldo Rossi, enriched by an added sense of luxury and magic. In recent years, Massimo Scolari has devoted himself primarily to painting.
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