Vitra - Standard Chair | Salvioni
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Backrest and Seat
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The colors displayed, for technical reasons, are indicative and may differ from the actual finish. The price may vary in relation to the category / finish chosen. Contact us to receive a personalized quotation.
04 Dark Oak with Protective Varnish04 Dark Oak with Protective Varnish
10 Natural Oak with Protective Varnish10 Natural Oak with Protective Varnish
45 Black Pigmented Walnut45 Black Pigmented Walnut

Base
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The colors displayed, for technical reasons, are indicative and may differ from the actual finish. The price may vary in relation to the category / finish chosen. Contact us to receive a personalized quotation.
06 Japanese Red Powder Coated06 Japanese Red Powder Coated
12 Deep Black Powder Coated12 Deep Black Powder Coated
88 Prouvé Blanc Colombe88 Prouvé Blanc Colombe
41 Prouvé Bleu Marcoule41 Prouvé Bleu Marcoule
14 Prouvé Bleu Dynastie14 Prouvé Bleu Dynastie
13 Prouvé Gris Vermeer13 Prouvé Gris Vermeer
18 Prouvé Blé Vert18 Prouvé Blé Vert

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Vitra
Swiss by birth, Vitra is a unique company in many ways. Unique in its home collections, light and colorful; unique in its office furnishings, which combine in a masterful implementation design and ergonomics; unique for the designer parterre that enriches its catalog. Among prestigious historical re-enactments and fruitful collaborations, Vitra has always had the ability to relive the past and project to the future. However, Vitra is unique above all for Rolf Fehlbaum's corporate address, where the company transcends the business to fulfill wider social and cultural functions: the creation of a unique project such as Vitra Campus and the annexed Vitra Design Museum is an example.Read more

Designed by

Jean Prouvé

Jean Prouvé
Jean Prouvé (1901-1984) is one of the great names of French design of the twentieth century. Son of the painter and sculptor Victor Prouvé, he was essentially self-taught: he studied as a blacksmith and soon opened his own workshop, drawing the principles of his style from daily practice and work on new technologies. "I am but a worker", he wrote in his autobiography. His art was engineering applied to design: he was a pioneer in the use of sheet steel and aluminum in the creation of furniture and lamps, moving away from the use of the typical tubular of the Bauhaus and going to create his own aesthetic, with an imprint strongly industrial, driven by a constant search for innovation and functionality. Starting in the 1950s, he abandoned his activity in the company and intensified his public presence, eventually chairing the commission that in 1971 chose Renzo Piano and Richard Rogers for the design of the Center Pompidou in Paris. His furnishings have been reissued exclusively by Vitra since 2002.Read more